HOOD BY AIR:
All Photos and Content ® 2016 Rachel Scroggins / The Greyest Ghost
Backstage at Jeremy Scott — one of the most fun– and happy shows of fashion week, the mood was pure excitement. With as much careful consideration given to the beauty looks as the clothes, the big hair and bright makeup I found was definitely not disappointing. Eugene Souleiman, Global Creative Director Wella Professionals, created an over the top, “slightly Barbarella” inspired big hair look.
To get the look: “Eugene started by prepping the hair using EIMI Sugar Lift with EIMI Perfect Setting on the ends. Over-applying the product gave the hair a chemically processed texture, making it easier to style and giving it the fifties look that is synonymous with classic pin-up style. On creating the look, Eugene shares: ‘We blew the hair out at the roots with EIMI Sugar Lift to give us a great base for the backcombing. It makes the hair feel a little bit more porous and processed which is wonderful for keeping volume.'”
“Once the hair was dried using a large round brush, it was left to set in wide rollers before being brushed out.”
“Eugene applied EIMI Stay Essential hairspray to hold the style and teased the hair to make it even bigger. At the end of the day, perfect pin-up hair was the finishing touch that brought together the Barbie-esque, decades-inspired ‘Cowboys and Poodles’ runway look.” -Instructions via WELLA Professionals
The finished look:
MAC Cosmetic’s Key Makeup Artist, Kabuki (one of my favorite makeup geniuses of NYFW!) created a “Cowgirls in Space” pin up inspired look to compliment the funky collection. “I wanted the look to feel fresh, and very Jeremy Scott”. Bright pink lips were the focal point of the look, with a swipe of custom mixed electric blue eyeliner to enhance the eye.
Face Chart -Via MAC Cosmetics
The finished look:
“To complement Jeremy Scott’s Spring 2016 collection, Miss Pop used a line up of our five best bright lacquer shades. She painted elongated oval nail tips in each of the five shades, then added a cartoon-like flare on the pinkies in Alpine Snow to give the nails a shiny plastic look.” – Via OPI
Colors used include: Shorts Story, A Good Mandarin is Hard to Find, The Sun Never Sets, I just can’t Cope-Acabana, and To Infinity and Blue-yond. “One coat of one of each of those shades and then one coat of Kyoto pearl to get this muted metallic bright.” – Via Miss Pop
The runway show itself was just as fun:
See the Full Photo Set Here.
All Photos and Content ®2016 Rachel Scroggins/The Greyest Ghost.
See the full album of Fall/Winter 2016 Sneak Peeks here.
All Photos and Content ®2016 Rachel Scroggins/The Greyest Ghost
Backstage at a Jeremy Scott show is usually one of the most colorful, fun, and lively environments one can possibly encounter during New York Fashion Week.
I always enjoy shows with more theatrical themes, that carry over not just in the collection, but to the beauty looks, and production as well. So this show was my own idea of thematic heaven! For Spring/Summer 2016, Jeremy Scott was inspired by John Waters, specifically the movie crybaby. If you haven’t ever seen it–please watch it asap and prepare to be inspired by the amazing beauty and fashion, and maybe fall in love with Johnny Depp a little bit.
To achieve that “Crybaby” look, big, bold hair is essential. WELLA’s Eugene Souleiman delivered, in the form of giant wigs, teased and backcombed to achieve the highest volume possible, then curled.
This season featured hair by Linh Nguyen for Cutler/Redken, that was parted in the middle to capture the “school girl” look. To get the look: hair was curled in small sections, while left straight in others. Redken Pillow Proof was used to add texture, and the look was finished with Fashion Work 12 Hairspray to set.
Karen Walker’s show is always one of the most fun and upbeat shows of every NY Fashion Week. Backstage, the atmosphere is no different: models are happy, smiling, and enjoying themselves, posing in the gorgeous clothes, and absolutely amazing sunglasses Karen comes up with, season after season.
Sadly, this season I overbooked myself (a lot!), and Monday, the day of Karen’s show, I ended up in a bit of a time crunch. But I still managed to spend some time backstage, photographing the equally fun makeup, and tousled, beachy hair.